New theatres, new eloquence
Abstract
Self-definition and sense of history as can be drawn from the writings of young emerging groups in Italian theatre today.
Most read articles by the same author(s)
- Raimondo Guarino, Claudio Meldolesi’s Island: On “Microsociety” and a Story Apart Which Becomes Necessary , Teatro e Storia: No. 31 (2010): Meldolesi, Torgeir and Other Actors
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- Raimondo Guarino, The sense of time in the theatre , Teatro e Storia: No. 20-21 (1999): a. XIII-XIV/1998-1999
- Raimondo Guarino, Trauma and History. The Feeling of Time Across Five Continents by Barba and Savarese , Teatro e Storia: No. 39 (2018): The Sense of Theatre
- Raimondo Guarino, Torelli in Venice. The “ingegnere teatrale” between scene-design and sets , Teatro e Storia: No. 12 (1992): a. VII, n. 1, aprile 1992
- Raimondo Guarino, The Presence of the Gods , Teatro e Storia: No. 26 (2005): a. XIX, 2005
- Pippo Delbono, Clelia Falletti Cruciani, Raimondo Guarino, To Taviani: Memories and Records (3) , Teatro e Storia: No. 42 (2021): Party for Nando
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